I’ve recently been checking out Shibutani Kazou more thoroughly. I’ve noticed he usually angles his koma a bit, and depending on the strings you might have to do thisfor the intonation. But then I saw this clip and started to wonder if there is something more to it. I realize you get closer to the koma when striking the bachi in the same place, but won’t it be really troublesome to play the shamisen and not have the positions match up?
but won’t it be really troublesome to play the shamisen and not have the positions match up?
oh right hm I wonder why he does that then I mean it does look cool though . . . while I also managed to achieve this in a different way (neck bridge and koma not being even to compensate for yet another design flaw) I am not liking that and looking forward to getting rid of that on my next instrument which as it seems to turn out I am to create in the foreseeable future (may/june) . . .